- EPISODE 1 - Creating a dilution chart
- EPISODE 2 - Creating a Colour Chart
- EPISODE 3 - Round Brush Techniques
- EPISODE 4 - Flat & Fan Brush Techniques
- EPISODE 5 - Glazing Techniques
- EPISODE 6 - Masking & Resist Techniques
- EPISODE 7 - Creating Watercolour Textures
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EPISODE 8 - Creating a Landscape painting in Watercolour
Welcome to Episode 3. This episode will guide you through the utilisation of your new round brushes for various applications including mark-making, textures, and patterns.
The market presents a broad selection of watercolour brushes, distinguished by shape, size, bristle composition (natural or synthetic), and cost. As a novice, you may wish to limit your initial investment while assessing your interest in watercolour painting.
Selecting the appropriate brush for specific techniques can be challenging. In this video, we endeavour to illustrate the adaptability of our ARTdiscount brushes, demonstrating that high quality can be achieved affordably. As your proficiency and expertise develop, we provide a comprehensive array of additional brushes to further support your artistic pursuits.
This week we feature Round shape brushes. We have showcased no 10, no 6, and no 2 brushes. Here is a link to our Watercolour Brush collections.
Round brushes are the most versatile and widely used brush for watercolour painting, their shape makes them suitable for small details and delicate lines, but also for broader strokes and washes. In the video below you can see the variety of marks made by the same brushes, this all depends on the pressure applied; light, medium or heavy and the angle of the brush in which you deliver the paint to the paper.
The marks created also are dependant on how much you load your brush with water and pigment. For this video the brushes were not too wet and had a sufficient pigment load to carry out lots of investigations. Notice also where the focus of the grip is on the handle, some of the marks were made holding the brush at the top of the handle loosely and some were made holding the handle of the brush close to the ferrule. 
Basic Anatomy of a Watercolour Brush
Watercolour brushes traditionally have short handles so artists can work closely to the paper and control their brush strokes and fine details. Brushes have a handle with a tapered end. The handle is usually wider in the middle to make it easier to grip and control. The metal Ferrule may come in different lengths and shapes depending on the size and shape of the brush. The metal ferrule keeps the bristles of the brush in place and keeps them attached to the handle.
The head of the brush is made up of bristles, either natural animal hair, or synthetic or a combination of both. A good watercolour bristle will hold a good amount of water and pigment to enable a smooth transition from palette to paper, retain its point and be flexible but not too soft. Depending on the bristle type, a watercolour brush will either be soft or firm. Animal hair especially Kolinsky Sable is considered the Gold standard among watercolour brushes. Looking after your watercolour brushes doesn't require too much elbow grease; here are a few tips to help preserve their shape.
- Always wash your brushes when you are finished painting in cool water using a mild soap. Press the brush in the palm of your hand gently under the running water until it runs clear.
- Using a soft dry cloth or kitchen towel, blot your brush until it is damp then lay your brush horizontally to air dry. Don't put it on top of a radiator or try to dry it with a hairdryer!
- Only use your brushes for watercolour painting. Keep separate brushes for acrylics and oils.
- Do not store them with the bristles face down vertically, this will cause them to bend out of shape. When dry you can store them in jar with the bristle facing upwards.
- Never use your good brush to apply masking fluid. Use an old brush dipped in soap, then wash immediately.
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